Merata and Whakapapa: expanding notions of (auto)biography through Māori lenses
dc.citation.issue | 25 | |
dc.citation.volume | 3 | |
dc.contributor.author | Frey A | |
dc.contributor.author | Vilanova Miranda De Oliveira G | |
dc.date.accessioned | 2022-12-09T01:43:03Z | |
dc.date.available | 2022-11-17 | |
dc.date.available | 2022-12-09T01:43:03Z | |
dc.date.issued | 17/11/2022 | |
dc.description.abstract | Through the documentary Merata: How Mum Decolonized the Screen (Mita, 2018), this article discusses how Māori cultural perspectives expand Western notions of (auto) biography. By interpreting the film through a Māori whakapapa lens (a non anthropocentric genealogy), the article demonstrates how the (auto)biographical documentary about Merata displays, simultaneously, a personal narrative and a history of Māori resistence. The article includes the authors’ autobiographical reflections as migrants in Aotearoa New Zealand. | |
dc.description.confidential | FALSE | |
dc.identifier.citation | Esferas, 2022, 3 (25) | |
dc.identifier.doi | 10.31501/esf.v1i25 | |
dc.identifier.elements-id | 458339 | |
dc.identifier.harvested | Massey_Dark | |
dc.identifier.uri | https://hdl.handle.net/10179/17879 | |
dc.publisher | Universidade Católica de Brasília | |
dc.relation.isPartOf | Esferas | |
dc.title | Merata and Whakapapa: expanding notions of (auto)biography through Māori lenses | |
dc.type | Journal article | |
pubs.notes | Not known | |
pubs.organisational-group | /Massey University | |
pubs.organisational-group | /Massey University/College of Humanities and Social Sciences | |
pubs.organisational-group | /Massey University/College of Humanities and Social Sciences/Institute of Education |
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